DMITRI ATAPINE has been described as a cellist with "brilliant technical chops" (Gramophone), whose playing is "highly impressive throughout" (The Strad). As a soloist and recitalist, he has appeared on some of the world's foremost stages, including Alice Tully Hall at Lincoln Center, Zankel and Weill halls at Carnegie Hall, Forbidden City Concert Hall, National Taipei Concert Hall, and the National Auditorium of Spain. An avid chamber musician, Mr. Atapine frequently performs with The Chamber Music Society of Lincoln Center and is an alum of The Bowers Program (formerly CMS Two). His multiple festival appearances have included Music@Menlo, Chamber Music Northwest, La Musica Sarasota, Nevada Chamber Music Festival, Cactus Pear Music Festival, Pacific Music Festival, Aldeburgh Festival, and Aix-en-Provence Festival among many others, with performances broadcast on radio and television in Spain, Italy, the United States, Canada, Mexico, and South Korea.
Mr. Atapine's many awards include top prizes at the Carlos Prieto International, the Florian Ocampo, and the Llanes cello competitions, as well as the Plowman, New England, and the Premio Vittorio Gui chamber competitions. His recent engagements have included collaborations with such distinguished musicians as Cho-Liang Lin, Paul Neubauer, David Finckel, Ani and Ida Kavafian, Wu Han, Bruno Giuranna, David Shifrin, the St. Lawrence and Miró quartets. Mr. Atapine’s recordings, among them a world-premiere of Lowell Liebermann’s complete works for cello and piano, can be found on the Naxos, Albany, Urtext Digital, BlueGriffin and Bridge record labels.
Mr. Atapine holds the doctorate degree from Yale School of Music, where he was a student of Aldo Parisot. Born into a family of musicians, his teachers have included Alexander Fedortchenko and Suren Bagratuni. The Artistic Director of Ribadesella Chamber Music Festival (Spain) and Apex Concerts (Nevada), he is the co-director of Young Performers Program at Music@Menlo and the cello professor at the University of Nevada, Reno.
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