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the-sitkovetsky-trio-olympia

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When?

March 4, 2023 7:30 PM

March 4, 2023

7:30 pm

Where?

Good Shepherd Olympia

CLICK FOR MAP
When?

March 4, 2023 7:30 PM

March 4, 2023

7:30 pm

Where?

Good Shepherd Olympia

CLICK FOR MAPCLICK FOR MAP

The Sitkovetsky Trio

Emerald City Music peeks into the musical friendship of two iconic composers – Robert Schumann and Johannes Brahms – in our flagship date-night classical music experience. The evening features the premiere of the Sitkovesky Trio from the United Kingdom, an open bar, and a “wander-around” concert setting with no stage dividing you from our vastly talented musicians.

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This Concert is

SOLD OUT

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Got Questions?

Hi! I’m Andrew and I’m happy to answer your questions!
(206) 250-5510
andrew@emeraldcitymusic.org

Robert SCHUMANN: Phantasiestüke Op. 88 (1842)

I. Romanze. Nicht schnell, mit innigem Ausdruck
II. Humoreske. Lebhaft
III. Duett. Langsam und mit Ausdruck
IV. Finale. In Marsch-Tempo

Johannes BRAHMS: Piano Trio No. 1 in B Major, Op. 8 (1853, 1899)

Allegro con brio — Tranquillo — In tempo ma sempre sostenuto 
Scherzo: Allegro molto — Meno allegro — Tempo primo
Adagio
Finale: Allegro

Embarking on a journey from the UK, the world-renowned Sitkovetsky Trio makes their Emerald City Music debut performance on our stage. This colorful evening of music explores one of the most storied and complicated love triangles of the classical music world: the relationship of Robert and Clara Schumann and their beloved friend, Johannes Brahms. Known through correspondence, this soap-opera-worthy tale explores degrees of musical respect, infatuation, care, and romantic propriety in the 19th century. Robert Schumann’s Phantasiestüke, Op. 88, was written shortly after his marriage to Clara, a brilliant pianist and composer. While her concert touring career was skyrocketing, he melancholically returned home to regain his confidence, penning an incredible six chamber music works, of which this was the last. Brahms’s Piano Trio No. 1 was the first chamber music work published by the twenty-one-year-old rising star. He meticulously labored over this work, throwing most drafts in the fire. At the end of his life, with countless masterworks to his name, he still returned to this trio perplexed and republished a revised work, making this piece unique in that it bears the handwriting and genius of both a young and old Brahms.

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