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windsync-ft-nathalie-joachim-olympia

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When?

April 15, 2023 7:30 PM

April 15, 2023

7:30 pm

Where?

Minnaert Center

CLICK FOR MAP
When?

April 15, 2023 7:30 PM

April 15, 2023

7:30 pm

Where?

Minnaert Center

CLICK FOR MAPCLICK FOR MAP

WindSync Ft. Nathalie Joachim

Windsync gives the world premiere of a new work by GRAMMY-nominated composer Nathalie Joachim in Emerald City Music’s flagship date-night classical music experience. The evening features a series of wind quintets with inspirations from garden to the galaxy, an open bar, and a “wander-around” concert setting with no stage dividing you from our vastly talented musicians

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Tickets for this concert are managed by

Washington Center for the Performing Arts
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Got Questions?

Hi! I’m Andrew and I’m happy to answer your questions!
(206) 250-5510
andrew@emeraldcitymusic.org

Jean-Philippe RAMEAU/arr. Kara LaMoure: Pastoral Suite

Akshaya Avril TUCKER: Hold Sacred (2020)

Marc MELLITS: Apollo (2019)

Theia
Sea of Tranquility
Buzz
Luna Nova
Debbie Waltzing on the Moon
One Small Step
Moonwalk 

Miguel del AGUILA: Quinteto Sinfónico (2019)

Giocoso (Gracioso)
Misterioso
Luminous (Luminoso)

Nathalie JOACHIM: New work (2023) World premiere

Valerie COLEMAN: Umoja (2001)

Making their journey from the UK, the World renowned Sitkovetsky Trio makes their Emerald City Music debut performance on our stage. This colorful evening of music explores one of the most storied and complicated love stories of the classical music world: the relationship of Robert and Clara Schumann and their beloved friend, Johannes Brahms. Robert Schumann’s Phantasiestüke, op. 88, was written shortly after his marriage to Clara, a brilliant pianist and composer. While her concert touring career was skyrocketing, he melancholically returned home to regain his confidence, penning an incredible six chamber music works, of which this was the last. Brahms’s Piano Trio No. 1 was the first chamber music work published by the twenty-one-year-old rising star. He meticulously labored over this work, throwing most drafts in the fire. At the end of his life, with countless masterworks to his name, he still returned to this trio perplexed and republished a revised work, making this piece unique in that it bears the handwriting and genius of both a young and old Brahms.

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